They all do a good job in the right context. Other Waves comps that I've gotten good results out of on vocals are the API 2500 (that's a really versatile comp), the V-Comp, and the CLA76. The RVox often feels sort of "flat" to me or something. I'll occasionally whip out the RVox (I did it in a mix yesterday, in fact), but more often, I'm looking for something with more "life" in it. I do have the R-Comp and the RVox, but I rarely use them anymore. Since we're talking about Waves compressors, I'm surprised no one has mentioned the Puigchild yet. It's probably my favorite compressor for vocals overall, in fact, though I sometimes use it in series with another compressor. (It really is kind of funny that we're all responding to this thread 18 months after it was started, but I'll throw my hat in the ring, as well.) So, its all about Color and taste, If you really wanna learn compression color.take a mix, and slap two different compressor on the mix bus, while auditioning one at a time.make one inactive and listen to the other and vice versa.This is how you REALLY get familiar with how a Compressor can change the whole Character and tone of a mix.
You want Lush BGV's>Slap on the H-COMP>In Fact, thank me later>Whenever you're mixing RnB, Use the H-Comp throughout the mix, you'll be well pleased Try using the CLA76 on drums>Thats a powerful compressor for Drums, but can also be used for BGV's and Across the Mix Bus for Color.Īlot of people sleep on the "H-COMP" that compressor sounds good on just about anything, when set right>If you want a very smooth vocal>Slap on the H-Comp.You wanna tame a Harsh guitar+plus add a splash of analogue feel to it>Slap on the H-COMP. He uses those compressors almost every-time on Rap vocals.Īs far as rock>You definitely have a great choice in the CLA compressors. There is no such thing as >a best Compressor as all compressors color a sound differently, its really all about personal taste.įor Rap, the R-vox/R-compressor by waves sounds really good.
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